DE LOUSED IN THE COMATORIUM STORY PDF

Prog noodles, prog brags, prog serves as the backdrop for stories about moonchildren and crimson kings and bloodthirsty sea life. For The Mars Volta , prog was both a vehicle for volatile musical fusion and a method of bloodletting. In , their close friend Julio Venegas leapt from an overpass onto the freeway in rush hour traffic. He had been a victim of self-abuse, shooting up whatever he could get his hands on for years. Bixler grounds his lyrics just enough to let us move through them.

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Prog noodles, prog brags, prog serves as the backdrop for stories about moonchildren and crimson kings and bloodthirsty sea life. For The Mars Volta , prog was both a vehicle for volatile musical fusion and a method of bloodletting. In , their close friend Julio Venegas leapt from an overpass onto the freeway in rush hour traffic.

He had been a victim of self-abuse, shooting up whatever he could get his hands on for years. Bixler grounds his lyrics just enough to let us move through them. It combusts on both technical and emotional levels, each feeding the other. An album made to give life to a dead friend, De-Loused in the Comatorium fulfilled its purpose even beyond what The Mars Volta might have imagined. His last romp through the universe he was always dreaming up gets to be imagined over and over.

But one way to understand the hell of someone you love is to dive in headfirst. The album tackles drug abuse and suicide from a vantage of total sympathy. How else can you learn to forgive someone who leaves you that way? The Mars Volta started from a place that most bands never get to: a place of catharsis, redemption, and the overwhelming desire to create something beautiful from tragedy.

It was written for Julio. By illuminating his world, it ignited, in the minds of thousands, a world of its own. Televator by TheAstro DeviantArt.

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De-Loused in the Comatorium

I posted the link to the full album on YouTube in the previous post. Please feel free to track through the album at whatever pace you please. My suggestion: Give yourself an hour, find someplace to sit or lay down, and let this puppy roll through your speakers. A little background on the album: The Volta recorded it under the supervision of the in famous Rick Rubin. Strangely enough, the Chili Peppers and Rubin recorded that album in the same house that sheltered the Mars Volta during their creative process.

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